If, like its protagonist, the film is brutally forthright, in B-movie tradition, that's because all it cares about is expressivity -- raw impact and momentum.
There's basically only one reason to see Olivier Assayas's self-consciously hypermodern, meta-sleazy, English-French-Chinese-language globo-thriller Boarding Gate, and her name is Asia Argento.
There's basically only one reason to see Olivier Assayas's self-consciously hypermodern, meta-sleazy, English-French-Chinese-language globo-thriller Boarding Gate, and her name is Asia Argento.
Here's the frustrating paradox of Olivier Assayas' Boarding Gate: It's one the most sophisticated, beautifully textured, soulfully acted shitty erotic thrillers ever deserving of a straight-to-video release.